GEORGES ROUAULT (1871-1958) PAINTER & ANDRÉ... - Lot 9 - Ader

Lot 9
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Estimation :
15000 - 20000 EUR
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Result : 15 360EUR
GEORGES ROUAULT (1871-1958) PAINTER & ANDRÉ... - Lot 9 - Ader
GEORGES ROUAULT (1871-1958) PAINTER & ANDRÉ METTHEY (1871-1920) CERAMIST Bather also known as Pastoral, circa 1907 Decorative panel with curved upper part. Proof in polychrome enamelled ceramic. Sold with its original (re)stained and (re)gilded wood frame. The panel cracked and restored in the center. Signed with the monogram stamp A. M. (in a circle) of the ceramist on the back of the panel, bears exhibition or gallery labels - B. 212 ROUAULT Pastorale - Galerie Thannhäuser Luzern - ROUAULT (Georges) Two Bathers ceramic panel on the back of the frame. Panel alone: 25 x 36 cm With frame : 38 x 52 cm Provenance : - Galerie Bing (then directed by René Haase) - Private collection, Switzerland. - Gallery Thannhaüser, Lucerne, Switzerland. - Work acquired from the previous one by the current owner. Important : A certificate of authenticity established on July 7, 1921 by the Rouault Committee will be given to the buyer. Our work referenced under number 47-C061 and reproduced on page 355 in - Rouault, l'œuvre peint - by Olivier Nouaille and Olivier Rouault, Éditions Fondation Georges Rouault, Paris, 2021 Bibliography and related works : - Collective - La Céramique fauve - Catalogue of the eponymous exhibition organized at the Musée Matisse, Nice, from May 17 to July 21, 1996 and then at the Fondation Saint-Jean in Bruges, from August 2 to November 17, 1996, Éditions de la Réunion des Musées Nationaux, Paris, 1996. Collaborative works between Georges Rouault and André Metthey reproduced on pages 118 to 124. - Collective - De la couleur et du feu - Catalogue of the eponymous exhibition organized at the Musée de la Faïence, Château Pastré, Marseille, from June 23 to September 3, 2000, Éditions Musées de Marseille/Réunion des Musées Nationaux, Marseille, Paris, 2000. Collaborative works between Georges Rouault and André Metthey reproduced on pages 54, 55 and 33 to 145. - Collective - La céramique fauve dans l'atelier d'André Metthey - Catalogue of the eponymous exhibition organized at the Musée de l'Annonciade, Saint-Tropez, from April 7 to June 24, 2002, Éditions du Musée de l'Annonciade, Saint-Tropez, 2002. Collaborative works between Georges Rouault and André Metthey reproduced on pages 121 and 122. - Collective - Céramique d'artiste ; Derain, Dufy, Matisse, Miró, Picasso ... - Catalogue of the eponymous exhibition organized at the Museum of Modern Art, Troyes, from July 10 to December 2, 2012, Éditions Silvana Editoriale, Milan, 2012. Collaborative works between Georges Rouault and André Metthey reproduced on page 64. - Olivier Nouaille and Olivier Rouault - Rouault : l'œuvre peint - Fondation Georges Rouault, Paris, 2021. Our panel reproduced in black and white, under the title Baigneuse, page 355, under the reference 47-C061. History: Spurred on by Ambroise Vollard, an advocate of the Fauvist painters, the so-called Fauvist ceramics was born in 1906 in the studio of André Metthey, the year after the 1905 Salon d'Automne, during which an unknown art critic would give his name to the movement, a term later taken up and immortalized by Louis Vauxcelles. What will be called the School of Asnières, small city where lived and worked the ceramist, will gather, around André Metthey, the best artists of the moment, André Derain, Georges Rouault, Maurice de Vlaminck, Henri Matisse, Louis Valtat, Kees van Dongen, Achille-Emile Othon Friesz, etc. and of course Jean Puy. The 1907 Salon d'automne will mark the history of fauve ceramics with the 108 pieces that André Metthey will choose to exhibit, all of them collaborative works with the painters of the movement, our dish was possibly from this shipment. Unfortunately, Ambroise Vollard never managed to market these paintings on earthenware. Too few collectors took the decision to acquire these works, so the adventure was short-lived and very few ceramics came out of André Metthey's kiln. He soon turned to the stoneware pottery that would make him famous.
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