Two books on the theme of the Hermès scarf:
- *Le roman du carré*, by Nadine Coleno, Éditions du Regard, 2009
- *Carrés d’art II*, by Geneviève Fontan, published by Éditions Arfon, 2014
(some signs of wear)
Included are two boxes, one of which is for a scarf and has a dented lid

Provenance:
Collection of the artist’s family. Assembled under the direction of Fabrizio La Torre, son of Gabriella La Torre, this collection reflects a desire to recreate a body of work that brings together the artist’s archives and pieces produced by Hermès.

Gabriella La Torre (Rome, 1894–1976) was a porcelain painter. Over several decades, she developed a distinctive body of work inspired in particular by her love of the decorative arts and antique porcelain, whose designs she studied and collected.

Beginning in 1957, she collaborated with Hermès, for which she created numerous designs that gave rise to silk scarves, ready-to-wear pieces, and porcelain objects. Her creative vision gave rise to patterns such as “Insects,” “Flowers and Braids,” “Oranges and Lemons,” “Cherries,” “Roosters,” and “Old China.”
Live Thursday 29 October・14:00 (Europe/Paris)
Lot no. 50

Two books on the theme of the Hermès scarf: - *Le roman du carré*, by Nadine Coleno, Éditions du Regard, 2009 - *Carrés d’art II*, by Geneviève Fontan, published by Éditions Arfon, 2014 (some signs of wear) Included are two boxes, one of which is for a scarf and has a dented lid Provenance: Collection of the artist’s family. Assembled under the direction of Fabrizio La Torre, son of Gabriella La Torre, this collection reflects a desire to recreate a body of work that brings together the artist’s archives and pieces produced by Hermès. Gabriella La Torre (Rome, 1894–1976) was a porcelain painter. Over several decades, she developed a distinctive body of work inspired in particular by her love of the decorative arts and antique porcelain, whose designs she studied and collected. Beginning in 1957, she collaborated with Hermès, for which she created numerous designs that gave rise to silk scarves, ready-to-wear pieces, and porcelain objects. Her creative vision gave rise to patterns such as “Insects,” “Flowers and Braids,” “Oranges and Lemons,” “Cherries,” “Roosters,” and “Old China.”

Estimate
€100 - €150
Buyer's premium
30%
Two books on the theme of the Hermès scarf: - *Le roman du carré*, by Nadine Coleno, Éditions du Regard, 2009 - *Carrés d’art II*, by Geneviève Fontan, published by Éditions Arfon, 2014 (some signs of wear) Included are two boxes, one of which is for a scarf and has a dented lid Provenance: Collection of the artist’s family. Assembled under the direction of Fabrizio La Torre, son of Gabriella La Torre, this collection reflects a desire to recreate a body of work that brings together the artist’s archives and pieces produced by Hermès. Gabriella La Torre (Rome, 1894–1976) was a porcelain painter. Over several decades, she developed a distinctive body of work inspired in particular by her love of the decorative arts and antique porcelain, whose designs she studied and collected. Beginning in 1957, she collaborated with Hermès, for which she created numerous designs that gave rise to silk scarves, ready-to-wear pieces, and porcelain objects. Her creative vision gave rise to patterns such as “Insects,” “Flowers and Braids,” “Oranges and Lemons,” “Cherries,” “Roosters,” and “Old China.”
Sale Thursday 29 October・14:00 (Europe/Paris)
Sale location coming soon 17, rue de la Grange-Batelière 75009 Paris