Orazio BENEVOLI (1605–1670). Music manuscript, *Fremebat furore ductus*, voice solo by Mr. Horatio Benevoli; title page and 19 pages, in-4 (23.5 × 16.5 cm), modern cardboard binding (small strip of paper glued to the third page).

Cantata for voice and figured bass accompaniment. The voice part is notated in the treble clef; the continuo, in figured bass, is in the bass clef.
“Fremebat furore ductus Maximinus in ostinata nimis Catherine constantia”… This refers to Emperor Maximinus’s anger in the face of Saint Catherine of Alexandria’s unshakable steadfastness.
This composition is not listed in the RISM and appears to be unpublished.
The Roman composer Orazio Benevoli devoted himself to sacred music and left behind about ten masses for multiple voices.
Live Wednesday 14 October・14:00 (Europe/Paris)
Lot no. 261

Orazio BENEVOLI (1605–1670). Music manuscript, *Fremebat furore ductus*, voice solo by Mr. Horatio Benevoli; title page and 19 pages, in-4 (23.5 × 16.5 cm), modern cardboard binding (small strip of paper glued to the third page). Cantata for voice and figured bass accompaniment. The voice part is notated in the treble clef; the continuo, in figured bass, is in the bass clef. “Fremebat furore ductus Maximinus in ostinata nimis Catherine constantia”… This refers to Emperor Maximinus’s anger in the face of Saint Catherine of Alexandria’s unshakable steadfastness. This composition is not listed in the RISM and appears to be unpublished. The Roman composer Orazio Benevoli devoted himself to sacred music and left behind about ten masses for multiple voices.

Estimate
€600 - €800
Result
Not sold
Buyer's premium
32%
Orazio BENEVOLI (1605–1670). Music manuscript, *Fremebat furore ductus*, voice solo by Mr. Horatio Benevoli; title page and 19 pages, in-4 (23.5 × 16.5 cm), modern cardboard binding (small strip of paper glued to the third page). Cantata for voice and figured bass accompaniment. The voice part is notated in the treble clef; the continuo, in figured bass, is in the bass clef. “Fremebat furore ductus Maximinus in ostinata nimis Catherine constantia”… This refers to Emperor Maximinus’s anger in the face of Saint Catherine of Alexandria’s unshakable steadfastness. This composition is not listed in the RISM and appears to be unpublished. The Roman composer Orazio Benevoli devoted himself to sacred music and left behind about ten masses for multiple voices.
Sale Wednesday 14 October・14:00 (Europe/Paris)
Sale location coming soon 3, rue Favart 75002 Paris