A Collection: Pont-Aven, symbolistes et nabis - Prints and Drawings - PART 1
Wednesday 20 September 2023 at 14:30
3, rue Favart, 75002 Paris
199 lots
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151 - Charles Cottet (1863-1925) Douleur, or Miserable Human Flesh. Etching and drypoint. 280 x 155. Perfect proof on japon fort. Full margins. Stamp R. T. Plate published in La Misère sociale de la femme d'après les écrivains et artistes du XVIIIe au XXe siècle, Devambez ed. 1910, sold to benefit women released from Saint-Lazare prison. This print was included in the exhibition Charles Cottet, Le Savoyard, peintre voyageur, Évian, 2000.
Result €192Estimate €150 - €180 -
152 - Charles Cottet (1863-1925) The Entombment. Etching. 178 x 125. Morane 71. Very fine proof on ivory laid paper, numbered and signed in pencil. Some light foxing. Small restoration on verso of upper left corner. Small circular russet stains on verso. Full margins. Edition of 35 proofs. Stamp R. T. Joint: Portrait of Ch. Cottet. Etching by R. Ménard (after his 1896 painting in the Musée d'Orsay). [200 x 280]. Fine proof on japon fort. Stamp R. T. Set. 2 p.
Estimate €150 - €180 -
153 - René-Yves Creston (1898-1964) Komzit Brezoneg d'ho Pugale (Teach Breton to your children). 1928. Letterpress print from a woodcut. [560 x 760]. Two-tone printing. Fine proof on thin buff vellum. Small accidents and traces of glue on the edges. Full margins. Stamp R. T. René-Yves Creston was one of the founders of the Seiz Breur (Seven Brothers) movement, which came into being when he met Jeanne Malivel at the Folgoët pardon in 1923. They were soon joined by Xavier de Langlais, Pierre Péron
Result €665Estimate €200 - €300 -
154 - André Dauchez (1870-1948) Saint-Oual. 1902. Etching. 450 x 248. Brugal 10-02. A very fine, fresh proof on ivory laid paper, numbered and signed in pencil, then titled at the foot. Full margins. Edition of 30 proofs. Stamped R. T.
Result €640Estimate €200 - €300 -
155 - André Dauchez (1870-1948) Mouth of the Odet. 1906. Etching. 400 x 302. Brugal 75-06. Very fine, fresh proof on ivory laid paper, numbered and signed in pencil, then titled at the foot. Full margins. Edition announced at 50 proofs (20 in reality). Stamp R. T.
Result €576Estimate €200 - €300 -
156 - André Dauchez (1870-1948) Masure in Guilvinec. 1908. Etching. 390 x 255. Brugal 99-08. Very fine, fresh proof on ivory laid paper, numbered and signed in pencil. Full margins. Edition announced at 50 proofs (20 in reality). Stamp R. T.
Result €192Estimate €180 - €200 -
157 - André Dauchez (1870-1948) The River of Lesconil. 1909. Etching. 425 x 273. Brugal 116-10. Very fine proof printed in brown on ivory vellum, with remarks, signed in pencil. Light marginal oxidation. Full margins. Printed for the Société des Amis de l'eau-forte. Dry stamp: Cercle de la Librairie (Lugt 438). Stamp R. T.
Result €448Estimate €180 - €200 -
158 - André Dauchez (1870-1948) La Chapelle de Saint-Guido. 1912. Etching. 432 x 255. Brugal 205-13. Very fine proof on ivory vellum, numbered and signed in pencil. Very slight foxing. Full margins. Edition of 60 proofs. Dry stamp of the artist (Lugt not described). Dry stamp: Cercle de la Librairie (Lugt 438). Stamp R. T.
Result €256Estimate €180 - €200 -
159 - André Dauchez (1870-1948) Pines on the road. 1914 (Pl. for the collection Dix Eaux-fortes, ed. Société Littéraire de France, 1919). Etching. 460 x 305. Brugal 219-14. Very fine proof on strong ivory vellum, numbered and signed in pencil. Heavy foxing. Full margins. Edition of 35 proofs. Stamp R. T.
Result €384Estimate €180 - €200 -
160 - André Dauchez (1870-1948) La Route du Steir (Loctudy). (Pl. for the collection Dix Eaux-fortes, ed. Société Littéraire de France, 1919). Etching. 418 x 266. Brugal 220-14. Very fine proof on strong ivory vellum, numbered and signed in pencil. Scattered foxing. Full margins. Edition of 35 proofs. Stamp R. T.
Result €192Estimate €180 - €200 -
161 - André Dauchez (1870-1948) Chemin de Loctudy, or Near Loctudy. 1925. Etching. 370 x 280. Brugal 306-25. Very fine proof on heavy ivory vellum, numbered and signed in pencil, then titled at the foot. Full margins. Edition of 30 proofs. Stamp R. T.
Result €448Estimate €180 - €200 -
162 - André Dauchez (1870-1948) Calm sea. 1926. Etching. 195 x 157. Brugal 313-26. Very fine proof on white vellum, numbered and signed in pencil, then titled at the foot. Full margins. Edition of 30 proofs. Stamp R. T. Attached: Harvesting kelp. 1906. Etching. 203 x 160. Brugal 78-06. Very fine unsigned proof on vellum of the edition for the Revue de l'Art ancien et moderne. Stamp R. T. Set. 2 p.
Result €153Estimate €120 - €150 -
163 - André Dauchez (1870-1948) Sous les tamaris. 1926. Etching. 310 x 238. Brugal 326-27. A very fine proof on white vellum, numbered and signed in pencil, then titled at the foot. Some rare light foxing. Full margins. Edition of 40 proofs. Dry stamp: Marcel Guiot éditeur Paris (Lugt not described). Stamp R. T.
Result €538Estimate €180 - €200 -
164 - André Dauchez (1870-1948) The Bell Tower of Ploaré. 1926. Etching. 158 x 171. Brugal 532-38. Very fine proof on old azure laid paper, annotated in pencil "Ep. sur papier ancien" and signed. Full margins. Edition of 48 proofs, including 2 on this paper (apart from the print run as a menu for the Amis du Livre banquet). Stamp R. T. Joint: Au-dessus du port (Douarnenez). 1921. Etching. 148 x 175. Brugal 258 ter-22. Fine proof on ivory vellum, from the edition for the Revue de l'Art ancien et mod
Result €204Estimate €120 - €150 -
165 - André Dauchez (1870-1948) Paysage du Sud-Finistère (Lesconil ?) 1927. Drawing. Graphite on heavy white wove paper. [450 x 345]. Signed and dated in the subject. Stamp R. T.
Estimate €300 - €400 -
166 - André Dauchez (1870-1948) Abandoned boats, or Behind Concarneau, fishing boats. 1930. Preparatory drawing for etching (Brugal 469-30). Graphite on wove paper. [450 x 312]. Signed in the subject. Light brown spots. Stamp R. T. The eponymous engraving was published by the Musée de la Marine at 285 proofs.
Result €704Estimate €300 - €400 -
167 - André Dauchez (1870-1948) Village on the dune. Drawing. Graphite on heavy white wove paper. [397 x 210]. Annotated "Ker[...]" and signed in the subject. Stamp R. T. stamp on mount.
Estimate €300 - €400 -
168 - André Dauchez (1870-1948) Low wall above the sea. Drawing. Graphite on ivory wove paper. [450 x 295]. Signed in the subject. Stamp R. T.
Estimate €300 - €400 -
169 - Angèle Delasalle (1867-1938) Seaside. 1922. Oil on canvas pasted on wood panel. 440 x 365. Numerous chips, chips and surface soiling. On verso, annotation in pencil: "Angèle Delasalle / born in Paris in 1865 / Hors Concours". Stamp R. T.
Result €256Estimate €150 - €180 -
170 - Eugène Delâtre (1864-1938) En Bretagne - Maufra dessinant. (Cover for the album of etchings and lithographs by Maufra, published by L'Estampe Originale, 1894). Etching and aquatint. 347 x 490, printed in color. Fine proof on the upper cover of a jacketed ivory vellum folio, covered with the two red stamps of E. Delâtre (Lugt 5183) and A. Delâtre (L. 105: "His reproduced mark, bearing his initials A. D., appears only on etchings by his son Eugène, printed when the printing house was still o
Result €1,792Estimate €1,000 - €1,200 -
171 - Henri Delavallée (1862-1943) Head of an old woman. 1892. Soft varnish on zinc. 160 x 237. Morane 45. Very fine proof on ivory vellum, signed and numbered in pencil. Light foxing and light traces of oxidation. Full margins. Edition of 50 proofs. Stamp R. T. This print was included in the exhibition Cent ans d'estampes en Bretagne, Le Faouët, 1998 (reproduced in the catalog under no. 189). "Exhibited under number 147 at the fifth Peintres-Graveurs français exhibition, Galerie Durand-Ruel, Apr
Result €256Estimate €120 - €150 -
172 - Henri Delavallée (1862-1943) Pollarded oaks (Brittany). 1892-1893. Soft varnish on zinc. 290 x 195. Morane 49. Good proof on cream laid paper, heavily sunned, annotated in pencil "1er Etat 1re ep. nature" and signed. Heavy freckling. Small margins. Stamp R. T. Joint: La Rue du hameau Lefèvre à Landemer. 1891. Etching, soft varnish and aquatint. 315 x 265. Morane 12. Very fine proof on cream laid paper, annotated at the bottom in pencil in the subject "Etat unique" and signed. Light foxing. S
Result €230Estimate €200 - €300 -
173 - Henri Delavallée (1862-1943) The Old Woman at her Door (Pont-Aven). 1892-1893. Etching, soft varnish and aquatint. 240 x 360. Morane 55. Fine proof on ivory vellum, numbered and signed in pencil. Scattered foxing. Full margins. Edition of 50 proofs. Stamp R. T. This print was included in the exhibition Before and after Gauguin, Atlanta, 2008.
Result €256Estimate €150 - €180 -
174 - François-Alfred Delobbe (1835-1915) Various subjects: portraits, academies, studies, landscapes. Drawings. Graphite, charcoal and white chalk on laid paper or tinted vellum. Various formats. Some signed on verso. One titled "à St Guénolé", dated "1885" and signed with initials. Workshop stamp on most. Occasional damage, loss and dusting. Set of 163 p. (in one box).
Estimate €1,200 - €1,500 -
175 - Émile Dezaunay (1854-1938) Women and children from Fouesnant and Plougastel at the pardon, or Breton women with their children. 1928. Watercolor over graphite on thin ivory wove paper, dedicated at foot "A Madame Aymard / Souvenir bien amical. 1928 ". [325 x 247]. Cat. Pont-Aven 53. Two large traces of oxidized glue on the side edges of the central leaf. Traces of folds along right edge. Stamp R. T. Cadre. On verso, exhibition label: "Emile Dezaunay, Musée de Pont-Aven, October 5, 1996-Januar
Result €1,280Estimate €600 - €800 -
176 - Émile Dezaunay (1854-1938) Peasant woman from La Forêt-Fouesnant. Watercolor over graphite on ivory laid paper. Sight: 225 x 300 Cat. Pont-Aven 39. Signed lower left and localized "La Forêt". Slightly oiled. Framed. On verso, exhibition label: "Emile Dezaunay, Musée de Pont-Aven, October 5, 1996-January 5, 1997". This drawing was included in the "Dezaunay" exhibition at the Musée de Pont-Aven in 1996-1997 and appears in the catalog under no. 39 (repr.).
Result €1,088Estimate €600 - €800 -
177 - Émile Dezaunay (1854-1938) Messe en Bretagne, or Mass in Bannalec. Circa 1895. Etching and roulette. 418 x 317. Cat. Pont-Aven 64. Printed in color. A very fine proof on ivory laid paper, numbered and signed in pencil. Light scattered foxing. Light trace of oxidation at the opening of the passe-partout. Full margins. Edition of 50 proofs. Dry stamp: Ed. Sagot éditeur Paris (Lugt 2254). Stamp R. T. This print was featured in the exhibition Before and after Gauguin, Atlanta, 2008. "Representin
Result €896Estimate €400 - €500 -
178 - Émile Dezaunay (1854-1938) Messe en Bretagne, or Mass in Bannalec. Circa 1895. Etching and roulette. 418 x 317. Cat. Pont-Aven 64. Printed in color. A very fine proof on ivory laid paper, numbered and signed in pencil. Scattered light foxing. Full margins. Edition of 50 proofs. Dry stamp: Ed. Sagot éditeur Paris (Lugt 2254). Stamp R. T. This print was included in the Musée du Faouët exhibition, Cent ans d'estampes en Bretagne, 1998 (reproduced in the catalog under no. 205).
Result €896Estimate €400 - €500 -
179 - Émile Dezaunay (1854-1938) Little beggar girl from Pleyben. Circa 1895. Drypoint and aquatint. 320 x 420. Cat. Pont-Aven 65. Color print. A very fine proof on cream laid paper, numbered in pencil and signed in black stone. Scattered light dusting and foxing. All margins untrimmed. Edition of 50 proofs. Dry stamp: Ed. Sagot éditeur Paris (Lugt 2254). Stamp R. T.
Result €960Estimate €400 - €500 -
180 - Émile Dezaunay (1854-1938) Young girl from Rosporden seated. Circa 1892. Etching and aquatint. 200 x 278. Cat. Pont-Aven 66. Color print. Fine proof on cream laid paper, numbered and signed in pencil. Scattered light foxing. Full margins. Edition of 50 proofs. Dry stamp: Ed. Sagot éditeur Paris (Lugt 2254). Stamp R. T. stamp on mount. This print was featured in the following exhibitions: Cent ans d'estampes en Bretagne, Le Faouët, 1998 (reproduced in catalog no. 206); Before and After Gaugu
Result €704Estimate €300 - €400 -
181 - Émile Dezaunay (1854-1938) Young girl and child from Rosporden. Circa 1900-1910. Aquatint and soft varnish. 320 x 248. Cat. Pont-Aven 59. Fine proof on ivory vellum, of the only line plate printed in black. Some foxing. Full margins. Stamp R. T.
Result €512Estimate €150 - €180 -
182 - Pierre Falize (1876-1953) The Old Breton. Circa 1900. Lithograph. 545 x 365. Printed in colors. Very fine proof on glazed vellum, signed in pencil. Small traces of surface rubbing, visible when viewed with raking light. Full margins. Stamp R. T. This print was included in the exhibition Before and after Gauguin, Atlanta, 2008.
Estimate €150 - €180 -
183 - Jean Frélaut (1879-1954) View of a harbor between houses. 1919. Drawing. Black stone and watercolor, on thin vellum. [230 x 150]. Signed and dated lower left. Glued by the edges to beige vellum folio with gold fillet. Stamp R. T.
Result €358Estimate €180 - €200 -
184 - Jean Frélaut (1879-1954) The Engraver. 1930. Drypoint and burin. 140 x 182. Frélaut 325. Very fine proof on thin ivory vellum, signed in pencil. Slight trace of oblique fold on the surface, across the signature. Full margins. Edition of 200 proofs for the catalog of the 18th exhibition of the Société des Peintres-Graveurs Français. Stamp R. T. This print was featured in the following exhibitions: Des habits et nous..., Le Faouët, 2007; Before and After Gauguin, Atlanta, 2008.
Result €320Estimate €300 - €400 -
185 - Paul Gauguin (1848-1903) The Washerwomen. 1889. Zinc print. 260 x 208. Mongan, Kornfeld and Joachim 10. A very fine proof of the 1st edition made by Ancourt, on canary yellow vellum. Two light marginal foxings. A small fractured indentation in the upper margin. Short tear at right edge. Full margins [630 x 478]. Edition indeterminate (30 or 50 proofs). Stamp R. T. This print appeared in the following exhibitions: Cent ans d'estampes en Bretagne, Le Faouët, 1998 (reproduced in the catalog und
Result €17,280Estimate €6,000 - €8,000 -
186 - Paul Gauguin (1848-1903) Portrait of Stéphane Mallarmé. 1891. Etching and drypoint. 142 x 180. Guérin 14; Mongan, Kornfeld and Joachim 12. Very fine proof on thin ivory vellum, printed on the crossed-out copper. Two tiny foxing marks in the center below the subject. Full margins. Ex-coll. H. M. Petiet (Lugt 5031). Stamp R. T.
Result €1,280Estimate €400 - €500 -
187 - Paul Gauguin (1848-1903) (after) The Smile of Paul Gauguin. Complete facsimile collection. Introduction and notes by L.-J. Bouge. Paris, ed. G.-P. Maisonneuve et Cie and Max Besson, Libraire, 1952. One small vol. in-fol. in sheets, text uncut, containing the facsimile of a complete edition of the newspaper and woodcut reproductions of the subjects. Portfolio decorated with the edition and illustrated label (facsimile of one of the subjects) glued to the upper cover. Numbered copy, from an editi
Result €512Estimate €200 - €300 -
188 - Paul Gauguin (1848-1903) (after) The Smile of Paul Gauguin. Complete facsimile collection. Introduction and notes by L.-J. Bouge. Paris, ed. G.-P. Maisonneuve et Cie and Max Besson, Libraire, 1952. One small vol. in-fol. in sheets, text uncut, containing a facsimile of a complete edition of the newspaper and woodcut reproductions of the subjects. Some light foxing. Portfolio decorated with the edition and illustrated label (facsimile of one of the subjects) glued to the upper cover. Numbered co
Result €256Estimate €200 - €300 -
189 - Paul Gauguin (1848-1903) (after) Noa Noa (unpublished manuscript by Paul Gauguin reproduced in facsimile by Daniel Jacomet). Paris, Sagot-Le Garrec, 1954. One vol. in-fol. [280 x 410], leaves, in a tightly-folded white imitation-japan cover illustrated with a reproduction of a woodcut by Gauguin, complete with letter and envelope from Ch. Morice to Edmond Sagot. Numbered copy, of an edition announced at 1050 copies (of which only 400 were printed). Stamp R. T.
Result €384Estimate €150 - €180 -
190 - Paul Gauguin (1848-1903) (after) Noa Noa (unpublished manuscript by Paul Gauguin reproduced in facsimile by Daniel Jacomet). Paris, Sagot-Le Garrec, 1954. One vol. in-fol. [280 x 410], leaves, in tightly-folded white imitation-japan cover illustrated with a reproduction of a woodcut by Gauguin, complete with letter and envelope from Ch. Morice to Edmond Sagot. Trace of crease along right edge of upper cover. Numbered copy, of an edition announced at 1050 copies (of which only 400 were printed).
Result €128Estimate €120 - €150 -
191 - Charles Guilloux (1866-1946) House above the bay of Douarnenez. 1895. Lithograph. 290 x 200, printed in green. Very fine proof on thin ivory glazed vellum. Full margins. Stamp R. T.
Result €320Estimate €150 - €180 -
192 - Eugène Isabey (1803-1886) Souvenir de Bretagne (The Quai des Lances in Morlaix). 1832. Lithograph. 270 x 225. Curtis 61; I.F.F. 15-4. Fine proof on vellum. Light scattered foxing. Full margins. Dry stamp: F. Morlot (Lugt 1826b). Stamp R. T. Attached: attributed to E. Isabey. Same subject. Drawing (preparatory?). Graphite on vellum. [255 x 215]. Light foxing. Stamp R. T. Set. 2 p.
Result €320Estimate €150 - €180 -
193 - Max Jacob (1876-1944) Imaginary construction with propellers. Drawing. Pen and India ink on thin white wove paper. [268 x 210]. Signed lower right. Traces of folds. Mounted by the corners on cardboard. Stamp R. T.
Result €256Estimate €200 - €300 -
194 - Max Jacob (1876-1944) Studies of clowns. Drawing. Pen and India ink on thin white vellum. [270 x 370]. Signed at center. Traces of folds. Small scattered brown spatters. Stamp R. T. Provenance: Paul Prouté gallery (mounting with annotation in Paul Prouté's hand).
Result €704Estimate €400 - €500 -
195 - Max Jacob (1876-1944) Self-portrait. Drawing. Pen and India ink on thin buff wove paper ("boucherie" paper). [227 x 300]. Signed lower right. Slight traces of folds. Stamped R. T. Provenance: Paul Prouté gallery (mounting with annotation in Paul Prouté's hand).
Result €1,088Estimate €400 - €500 -
196 - Max Jacob (1876-1944) Impressionist Paradise. 1928. Lithograph. 290 x 363. I.F.F. 11. Fine proof on strong white vellum, numbered and signed in pencil. Some heavy and wide foxing. Full margins. Edition of 150 proofs. Dry stamp: Le Chien de pique (L. 4622). Stamp R. T.
Result €384Estimate €200 - €300 -
197 - Max Jacob (1876-1944) The Last Supper (Pl. for the collective work Vins, fleurs, flammes, Paris, ed. Klein, 1937). Lithograph. [380 x 280]. Printed in color. Fine proof on vellum, numbered in pencil, mounted on verso with pieces of adhesive in the corners. Tiny scattered foxing. Full margins. Edition of 300 proofs. Stamp R. T.
Result €64Estimate €80 - €100 -
198 - Max Jacob (1876-1944) Jacob (Max). Tableau de la bourgeoisie. Paris, éditions de la N.R.F., 1929. One vol. in-4 [197 x 240], paperback, illustrated with lithographs and reproductions of drawings by the author, in- and hors-texte. Some scattered light foxing. One of 320 numbered ordinary copies. Stamp R. T.
Result €128Estimate €150 - €180 -
199 - Francis Jourdain (1876-1958) The Wave, or The Sea. Circa 1900. Etching and aquatint. 345 x 440. Cate et Grivel, From Pissarro to Picasso, p. 122. Very fine proof printed in bistré black on ivory laid paper, of the black plate alone. Some heavy marginal foxing. Full margins. Final edition of 30 color proofs. Stamp R. T. This print was featured in the following exhibitions: Cent ans d'estampes en Bretagne, Le Faouët, 1998; Before and After Gauguin, Atlanta, 2008.
Result €768Estimate €200 - €300
About the sale
Public auction:
Wednesday 20 and Thursday 21 September 2023 at 2:30 pm
Salle des ventes Favart
COLLECTION RONAN TABURET - PRINTS AND DRAWINGS - PONT-AVEN, NABIS, SYMBOLISM
Wednesday September 20 - 1st session: lots 1 to 199
Public exhibition:
Salle des ventes Favart
Monday 18 and Tuesday 19 September, 10 am to 6 pm
Expert :
Hélène BONAFOUS-MURAT
Tel: 0033 (0)1 44 76 04 32
In charge of the sale:
Élodie DELABALLE
elodie.delaballe@ader-paris.fr
Tel.: 01 78 91 10 16
Assisted by Lucie GUILLAUME
lguillaume@ader-paris.fr
Terms of sale
Show the terms of sale
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L’étude ADER ne fait pas les envois de bijoux, les acheteurs sont invités à organiser eux-mêmes le transport de leurs achats.
Défaut de paiement :
À défaut de paiement par l’adjudicataire de la totalité des sommes dues, dans le mois qui suit la vente, et après une seule mise en demeure restée infructueuse, ADER entamera une procédure de recouvrement. L’acheteur sera susceptible d’inscription au Fichier des restrictions d’accès aux ventes aux enchères (Fichier TEMIS – www.temis.auction) mis en oeuvre par la société Commissaires-Priseurs Multimédia (CPM – 37, rue de Châteaudun, 75009 Paris) et l’ensemble des dépends restera à sa charge. À compter d’un mois après la vente et à la demande du vendeur, la vente pourra être annulée sans recours possible.