Gilbert DUPREZ (1806-1896). Collection of 22 autograph music - Lot 69

Lot n° 69
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Résultat : 3 250EUR
Gilbert DUPREZ (1806-1896). Collection of 22 autograph music - Lot 69
Gilbert DUPREZ (1806-1896). Collection of 22 autograph musical manuscripts, 1847-1878; one folio volume (36.5 x 28 cm) of 269 pages, bound in garnet half-chagrin, spine decorated (label of H. Lard, papeterie reliure; period binding worn). A precious collection of the tenor's compositions, all of which (except one) remain unpublished. Amélina, opera in two acts. Title and 77-57 pages. First original score, voice and piano. The indication Translated from Italian has been crossed out on the title page; but Italian lyrics have been written in red ink for the choruses. Major corrections with crossed-out bars, scratches and glue; in Act I, after the Overture (p. 1-5), the Hunters' Chorus (p. 23-28) has been placed, moved before the Introduction and Peasants' Chorus (p. 7-11), and Scene 2. Récit (p. 17-22). Lyrics by Félix Dutertre and Édouard Duprez (Gilbert's brother). The protagonists are Amélina, Queen Christine, Count Olaüs and Éric. The work does not appear to have been performed. Rizzio. Lyrical-dramatic tableau. Song and piano. Dated at the end Neuilly August 6, 1875. Important corrections with crossed-out measures and collettes (34 p.; 2 attached parts of 1st and 2nd tops, 1 p. each). Ugolin. Tableau fantastique d'après l'Enfer de Dante, for baritone voice. Words and music by G. Duprez. Dedicated by the author to the former singer G. Duprez . Dated late May 1876 (10 p.). Tristesse. Rêverie pastorale. Melodic harmony for tenor voice . Dated Valmondois 1. August 1869. Song and piano (title and 2 p.). Le Rossignol de Vénézuela. Cantilena for soprano voice. Words and music by G. Duprez. Mélodie pour chant et piano (title and 2 p.); the manuscript was used for the engraving by Heugel in 1876. The date, in pencil, is partly erased: Valmondois August 2, 1868 . Le Rapt. Fantasia africaine. Words and music by G. Duprez. Song and piano (title and 3 p.). Souvenir de Chantambre, melody for song and piano, dedicated to Mme A. Vannois and dated Chantambre July 10, 1854 (title and 2 p.). Aïnchouna. Arabic cantilena. Improvisation poëtico-musicale , dedicated to Mademoiselle Aïnchouna Stucklé by the mayor of Valmondois , Valmondois August 23, 1869. Melody for song and piano (title and 2 p.). Followed by a melody in another style: Mais chanter c'est la vie ... (3 p.). La Vie d'une fleur. Pastorale dedicated to Mademoiselle C. Duprez . Melody for song and piano to lyrics by Édouard Duprez, dated at the end: Souvenir de Méry le 22 mai 1847 (2 p.). Fleur et Papillon. Chant du Crépuscule by Victor Hugo, September 1877. Melody for song and piano (title and 3 p.). Le Roi Saül. Poetic-musical interpretation of the story according to the masters of the day. Melody for voice and piano (title and 3 p.). Follows a copyist's manuscript: La Pastourelle de Valmondois. Trumeau, pochade élégiaque (Sept. 1866, title and 8 p.). L'œil noir de ma Brunette. Vocal scherzettino. Words and music by G. Duprez. Mélodie pour chant et piano, dedicated to M. Tisserant, professeur à l'école spéciale de chant (10 pages, with 15 bars crossed out), dated at the end Neuilly June 7, 1875. Régina, pencil sketch, signed and dated Paris December 21, 1850 (2 pages). Épilogue du Passant. Saltarelle et Chanson de Zanetto. 2 melodies for voice and piano, dated December 1878 (title and 4 pages). Le Nuage. Vision poético-musicale. Words and music by two neighbors from Neuilly. Melody for voice and piano (6 pages), dated Neuilly November 3, 1878. What girl wants. Les deux Créoles. Nocturne for 2 voices, lyrics by Édouard Duprez. Song and piano, July 1878 (4 pages). Ce que fille veut... Bolerino. Melody for song and piano, lyrics by Édouard Dupres (title and 2 pages). Sur le Rhin. Legend. Dramatic ballad. Words and music by G. Duprez Director of the École spéciale de chant. Voice and piano (8 pages). Le Jour d'un Concours. Amusing scene for voice and piano with three singers: Brailfort, Caverneux and Sondoré (27 pages), signed and dated November 1862. Le matin, Le midi and Le soir, 3 choruses for 4 voices, the first two signed and dated Méry, Juin and Août 1847 (3 pages each).
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